Plugin Everything - Extrude For After Effects F... [patched] Jun 2026
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Extrude is a plugin developed by Plugin Everything, a renowned company known for creating innovative solutions for motion graphics and visual effects. This plugin allows users to extrude 2D shapes into 3D models, directly within After Effects. With Extrude, you can create complex 3D models, animations, and compositions without leaving your favorite creative tool.
Extrude handles the complexities of 3D geometry in 2D space remarkably well. 1. Three Modes of Extrusion Extrudes shapes along a fixed, parallel path. Plugin Everything - Extrude for After Effects F...
The primary selling point of Extrude is . In a professional motion design workflow, deadlines are tight. If a client requests a font change on a 3D logo, using the native Cinema 4D renderer or exporting to external software (like Blender or Cinema 4D Lite) can be time-consuming.
For complex logos or multi-line text, Extrude handles grouping intelligently. It allows users to extrude groups of shape paths as a single unit or separate them, providing flexibility when animating. Furthermore, because it utilizes After Effects' native 3D layers, the extruded object can interact with other layers, accepting cast shadows and reflecting environment maps. With Extrude, you can create complex 3D models,
– The most powerful of the three, 3D Camera Mode generates true three-dimensional objects that integrate seamlessly with After Effects’ native camera system. This mode supports camera movements, orbital rotations, and parallax effects that make extruded elements feel truly present in 3D space.
| Feature | Details | |---------|---------| | | After Effects CC 2019 – CC 2024 (and likely newer) | | OS | Windows 10/11 & macOS (Intel + Apple Silicon via Rosetta) | | Render Engine | GPU-accelerated (OpenGL / Metal) | | Multi-Frame Rendering | Yes (supports AE’s native MFR) | | Depth Pass Output | Yes (for DOF or fog in compositing) | Three Modes of Extrusion Extrudes shapes along a
At first the plugin felt like a secret shortcut. With one effect applied, a rounded keyline became physical. The controls were familiar — depth, bevel, edge profile — but there was a tactile simplicity to them, as if someone had translated a sculptor’s toolbox into sliders. Alex dialed in a rough-cut extrude: soft rounded edges, a flange that caught the light, and a subtle ambient occlusion. The letters suddenly existed in a room, not just on a screen.