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This paper provides a full exclusive examination of the "Dongkinger" phenomenon—a term proposed here to describe the centralized authority and proto-kingly figureheads associated with the Dong Son culture (c. 1000 BCE – 100 CE) in the Red River Delta. While traditional scholarship has focused heavily on the Dong Son drums as ritual objects, this study shifts the focus to the centralized agency behind their production: the Dongkinger elite. By synthesizing archaeological data with comparative ethnography, this paper argues that the Dongkinger represented a unique strain of Southeast Asian "mandala" authority, utilizing advanced metallurgy not merely for art, but as an exclusive mechanism of statecraft and hydrological control.
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Evidence from excavation sites such as Viet Khe and Chau Can reveals high-status burials where the deceased were laid to rest in hollowed tree trunks, surrounded by an exclusive array of weaponry and tools. The presence of socketed axes and daggers suggests a martial elite. The exclusion of commoners from such burial rites indicates a stratified society where the Dongkinger and his immediate retainers held exclusive rights to the afterlife and ancestor worship.
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